Dairy Free

We pickle Fresno chiles (also called red jalapeño peppers) for the pasta dish Fiorentini with Guanciale, Tomato, and Spicy Pickled Peppers (page 203). It seemed silly to have you pickle just enough peppers for one dish, since they will keep, refrigerated, for at least several weeks and probably much longer. Slice the peppers and add them to grilled cheese or sliced meat sandwiches, or use them in place of the roasted peppers on the pizza with White Anchovy, Tomato, and Spicy Fresno Chiles (page 139) or the Spicy Salami, Mozzarella, and Fresno Chiles pizza (page 140). If you can wait, the peppers are even better a few days after you make them.

The first lesson in stock making is also the simplest: everything (bones and aromatics) is covered in a pot with water and gently simmered, yielding a stock with a pure, clean flavor. This technique can be applied to making stock with chicken, meat, fish, or only vegetables. Of these, no stock is more versatile and flexible than white chicken stock, which is flavorful but not overpowering, lending itself to a vast array of uses: white sauces, such as velouté; any number of soups (it is the default choice for many); and many stews and braises, among other dishes where there are layers of flavor (think risotto). White beef stock is equally classic, and a better option in dishes such as Wine-Braised Short Ribs (page 188). For this stock, there are several ways to alter the outcome, depending on how it will be used. The longer the stock simmers, the stronger it will taste. Simmer for 1 1/2 hours for vegetable soups or other delicate dishes (including white sauces), longer for more robust sauces and soups. To give the stock a more pronounced chicken flavor, add 1 1/2 pounds chicken thighs along with the other parts (take them out of the pot as soon as they are done if you plan to reserve the meat for another purpose, returning bones to pot after removing meat).

We use this dough to make all of our filled pasta shapes such as Fresh Ricotta and Egg Ravioli with Brown Butter (page 175) and Francobolli di Brasato al Pomodoro with Basil and Ricotta Salata al Forno (page 177).

We use dry dough to make the pastas that we serve with our ragùs. It gets shaped into maltagliati, garganelli, corzetti stampati, and tagliatelle (all described later), as well as other short shapes. We call it dry dough because it feels dryer than our basic pasta dough since it is made with only egg yolks and no whites.

It’s very traditional to use ortiche, or “nettles,” to make green pasta such as this one. Despite the fact that they are often called “stinging nettles,” they don’t really sting, but they do have a bristly texture that can irritate your skin. If you wash them first, they won’t bother you as you pick the leaves off the stems. Another solution is to wear thin rubber gloves. If you can’t find nettles, spinach is an acceptable substitute. In either case, the greens have so much water in them (no matter how much you try to squeeze it all out) that we use very few eggs in this dough.

This is the Basic Pasta Dough with the addition of squid ink. The ink makes the pasta black and also infuses it with a subtle seafood flavor. You may want to wear plastic gloves while making this pasta; otherwise, the black ink will stain your hands for days. You can buy squid ink or cuttlefish ink at Italian and specialty food stores; if you can’t find it, you can’t make this dough. Use a quality store-bought squid ink pasta, preferably fresh, instead.

Pici are long, hand-rolled strands from the Montalcino area of Tuscany, not far from my house. Also called umbrichella, this pasta is the most typical shape in my region, so naturally I wanted to serve it at Mozza. Although it is not a regular item on the menu, we often use pici in place of the gnocchi in the Gnocchi with Duck Ragù (page 187).

Orecchiette, meaning “little ears,” are small dome- shaped disks. They are the most common shape in Puglia. They’re used in many regional dishes there, including the one that inspired our Orecchiette with Fennel Sausage and Swiss Chard (page 180). Although this shape doesn’t look as intricate as some of the others, it is one of the most difficult to shape, which is probably why so few restaurants make their own. Following our instructions, you can’t fail. To get the desired texture on the surface of the pasta, we suggest you use a plastic cutting board. At the Osteria, we use a wooden cutting board that has been deliberately scored with a knife, which gives the orecchiette the texture we want.

Maltagliati means “badly cut,” and is so named because the pieces are cut from the sheet of dough in random shapes. In order for us to ensure that the pasta cooks evenly, however, ours only look randomly cut but are actually all cut to the exact same shape and size.

When people talk about good gnocchi, you always hear about how “light” they are, but I find that just because gnocchi are light doesn’t mean they’re good. More often than not, gnocchi taste and feel to me like boiled mashed potatoes or mushy dumplings. It wasn’t until I had good gnocchi, which, in addition to being light, had some texture and springiness to them, that I realized how good they could be. Matt worked really hard to ensure that our gnocchi had those qualities. This dough is very starchy and sensitive, so the gnocchi must be formed and served the same day the dough is made. You must use russet potatoes.

We use these fiery, sweet roasted chiles on the White Anchovy, Tomato, and Spicy Fresno Chiles pizza (page 139) and the Spicy Salami, Mozzarella, and Fresno Chiles pizza (below). If you are making a variety of pizzas, it might be convenient to include these two to use up all the peppers.

We use this sausage on our Fennel Sausage, Panna, and Scallions pizza (page 144), Meat Lover’s pizza (page 136), and to make our most popular pasta, Orecchiette with Fennel Sausage and Swiss Chard (page 180). It’s easy to make and keeps well in the freezer. As our longtime sous chef Erik Black used to say, “Making sausage is like making chicken stock. It takes the same amount of time to make a big batch, so why wouldn’t you? You know you’ll end up using it.”

Marinara—pizza with tomato sauce and oregano and without cheese—is one of the two kinds of pizzas approved by the Assocciazione Verace Pizza Napoletana. At the tiny bakery in Panicale, they always have a sheet pan of tomato pizza and one of zucchini pizza on display, both sold at room temperature. It’s so simple, but made with good sauce and fragrant oregano, it’s delicious. Prepare and stretch the dough and preheat the oven according to the instructions given in “Nancy’s Scuola di Pizza” (page 128). Brush the rim of the dough with olive oil and season the entire surface with salt. Ladle or spoon the sauce onto the center of the dough and use the back of the ladle or spoon in a circular motion to spread the sauce out over the surface of the dough, leaving a 1-inch rim without any sauce. Scatter the pieces of cheese over the pizza, slide it into the oven, and bake until the cheese is melted and the crust is golden brown and crispy, 8 to 12 minutes. Remove the pizza from the oven and cut it into quarters. Drizzle the pizza with the finishing-quality olive oil, scatter the tiny basil leaves or snip the large leaves over the top, and serve.

Years ago my friend Paul Schrade gave me a wooden pasta stamp, which I never used. Since I’m a baker, I occasionally thought about using it to make a pretty cookie, but I never thought to use it for its intended use: to imprint corzetti stampati, or “stamped coins.” Then about a year after Mozza opened, when I’d run out of projects to nudge Matt about, I broke out the stamp and told Matt to get to work. Rather than follow the traditional Genoese route of serving corzetti with green beans, potatoes, and pesto, Matt came up with a version of Pasta alla Norma—Sicily’s most famous pasta dish that combines tomato sauce, eggplant, and sheep’s milk ricotta—using the corzetti in place of the spaghetti or penne traditionally used. We use Japanese eggplant and slice it into medallions, which work really nicely with the flat “coins.” No Italian in his right mind would ever take a shape from Genoa and toss it with a sauce from Sicily, but that’s one of the advantages of being American. Though we try to be respectful of tradition, we are not bound by it. Think of it as Italian fusion—and enjoy.

The first thing I need to tell you about this pizza dough recipe is that it is not an exact replica of the pizza dough we use at Pizzeria Mozza. What I can promise you, however, is that when you make this dough at home, your pizza will be just as delicious as the one we serve. Dough reacts differently in different ovens, and when our restaurant dough is baked in a home oven the result is a thick and doughy crust—not at all like those that come out of our extremely hot wood-fired ovens. My challenge for this book was to come up with a recipe for a pizza dough that, when baked in a home oven, resulted in a crust that was as close to what we get out of our pizza ovens as possible. And with the invaluable help and relentless persistence of Jon Davis, a breadbaker whom I’ve worked with since I hired him at La Brea Bakery more than twenty years ago, we came up with this recipe. The dough is made with a sponge, which means that half of the flour is fermented, or aged, for a period of time—in this case, for an hour and a half—before being mixed with the remaining ingredients. This is a breadbakers’ trick to coax the subtle flavor characteristics from the flour in a relatively short period of time. I have also made this dough without the sponge, adding all of the flour and water at once and saving that hour and a half of fermenting time. If you are pressed for time, you can do this, and though you might lose a bit of flavor, it will still be better than most pizzas I’ve been served in the States. You will need a scale to make this recipe. Bread making, or in this case pizza dough making, is so specific, there is no way around it. When making the dough, it’s important to time it so that it’s ready when you want to make your pizzas.

I think the heart and soul of Italian cooking is coaxing the true flavor out of raw ingredients, and that’s what we do with these beans. Stracotto means “long cooked,” and for this recipe, yellow wax beans, a summer vegetable usually prepared al dente, are simmered long and slow with our deeply caramelized soffritto. You’ll want to make this dish only if you already have soffritto in your refrigerator and when yellow wax beans are in season. You could also use yellow Romano beans.

This recipe makes twice what you need for the Yellow Wax Beans Stracotto in Soffritto, but it is one of those things that is difficult to make in smaller quantity. Spoon what you have left over on grilled fish, vegetables, or chicken.

Cavolo nero, a variety of kale, means “black cabbage” in Italian and is a staple of Tuscan cooking. It has a distinct, earthy flavor that I love and that complements many of our heartier preparations.

Currants and pine nuts are a classic combination in Sicilian cuisine, so even though I may never see carrots such as these on a restaurant menu in Sicily, the combination feels Sicilian to me. You could make many different vegetables, such as broccoli or cauliflower, using this recipe. It is an ideal vegetable preparation to serve at parties because it can be made ahead of time, and everyone loves it. This dish looks especially pretty made with a mix of carrots in different shapes and colors—such as white, yellow, red, or purple—and carrots that are round, like a golf ball.

For this dish, we braise squid in red wine and orange rind. The rind gives the sauce a slight bitterness that can seem overwhelming until you eat it on crostini with a dab of mayonnaise, and then it all comes together. We serve it as a condiment for pasta in the Osteria, which would be a perfect use for leftovers because when dressing pasta, a little goes a long way. We use calamarata, a short ring-shaped pasta that mimics the shape of squid rings, or paccheri, a long, tubular pasta that flattens when it cooks.